Download PDF Energy Flash: A Journey Through Rave Music and Dance Culture
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Energy Flash: A Journey Through Rave Music and Dance Culture
Download PDF Energy Flash: A Journey Through Rave Music and Dance Culture
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Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (“ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s.England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watching—and partaking in—the rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon.Read on, and learn why is nitrous oxide is called “hippy crack.”
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Product details
Paperback: 512 pages
Publisher: Soft Skull Press; Reprint edition (March 20, 2012)
Language: English
ISBN-10: 1593764073
ISBN-13: 978-1593764074
Product Dimensions:
6 x 1.8 x 9 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#121,965 in Books (See Top 100 in Books)
Good read. I bought this to relive something I experienced myself (90's & early 2000s underground rave movement) through someone else's perspective to see someone else's experiences and compare them to what I remember. Now keep in mind I experienced this movement in NYC, and really nowhere else. This book (and its author) clearly has a perspective from the UK. But it was entertaining to read, and I learned a lot of things I never knew about the movement that the author was aware of that were happening around the world at the time, and does a good job of telling the stories of the parallel things and events occurring around the world since the 80s that brought the rave/edm scene from an underground acid house movement to where it is today.
A lot of critics of the book complain about Reynolds' highly opinionated views on the developments of electronic dance music. This is a mistake; a wholly academic research and categorization with no regards to the vivid, honest opinions of the people who were there is of no use when much of the magic is about what it represented, where the parties happened, who were its consumers and creators, and so on.Reynolds describes the ambiances, locations, producers, labels, and theory behind the music, parties and institutions that compose the music of that era. It adds social significance to those of us who have only the sounds free of context. A must-have for anyone with interest in electronic music of the past and present.Simon provides a refreshing, highly informative, and thorough overview of dance culture. It has made me appreciate and discover music I would not have found otherwise, and clarifies many questions I had on musical preference.
This book is a lot of fun to read and gives a great overview of UK EDM and the myriad styles, and culture surrounding that music.
Reynolds is one of my favorite music journalists, but he particularly shines in Energy Flash. As the analytical fan, Reynolds captures both the factual history of rave culture AND the emotional "rush" that comes with the scene & it's sounds. This book is like DJing prose - a sonic journey through the written word.
Sure, Mr Reynolds has a fondness for hardcore rave, but we were all sucked into electronic music by one genre or another. One has to start somewhere. He has done a fantastic job cobbling together all the disperate elements that make up the rave culture and explaining them to those of us that were there (and have difficulty remembering) and those who wern't.I found the extra chapters from the American eddition a most-worthy addition as these touched on some of my favourite developments like trance and progressive house of which I am a particular fan.Congradulations to Simon Reynolds for finding the vocabulary to describe what we heard all those years ago and to peg down some of those elusive feelings we had whist jiving amoungst the smoke machines of our youth.I've moved straight onto his next book - Rip It Up and Start Again - I'm hooked.
A must-read for anyone interested in the history of electronic music or the UK rave scene
Huge book. It's a little dry and the later chapters are pretty irrelevant to what I'm interested in, but the first 1/2 of the book detailing the rise of dance music and its influence in the UK is great. Nice record list to work through finding too.
Its a good read if you haven't read other books about this particular culture. Its good that he had a section explaining the updated version explaining what has changed and what hasn't.
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